Arts and Culture

Arts and culture

Editor's note: This week, to mark the 400th anniversary of William Shakespeare's death, we will be running a series of stories examining the links between food and the Bard.

"Life ... consists of eating and drinking," quips Twelfth Night's over-indulging Sir Andrew Aguecheek. It seems that Shakespeare's audiences felt the same.

Between 1988 and 1990, when archaeologists excavated The Rose and The Globe theaters (where Shakespeare's plays were performed), they were able to learn as much about the audiences as the playhouses themselves.

By 1970, some people worried that the United States had gone seriously off track. Two great American leaders were sure of it, and so a summit was arranged. Problem is, Elvis Presley and Richard Nixon didn't really agree on what needed to be done — or even what the problem was.

In Lorene Scafaria's The Meddler, Susan Sarandon plays Marnie Minervini, a recent widow who moves from the East Coast to Los Angeles to "be near" (read, boss around) her daughter Lori (a very good, if underused Rose Byrne), a depressed screenwriter who's just broken up with her boyfriend. We meet Marnie lying in bed gazing up at the ceiling, and that's more or less the last wordless time we spend with her.

A Snow White tale without Snow White is like an apple without its core. Yet here we are, four years after the minor financial success of the Kristen Stewart-led Snow White and the Huntsman, gazing into the mirror without the dark-haired beauty. The first film had somewhat grand ambitions in trying to reclaim Disneyfied fairy tales for older Grimm fans.

Journalist Michael Kinsley — the founder of Slate and former editor of Harper's and The New Republic — says he's a "scout for his generation." Kinsley was diagnosed with Parkinson's Disease when he was in his 40s. Now in his 60s, he writes that he had the opportunity to experience old age before the rest of his fellow baby boomers.

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