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Renée Watson's young adult novel Piecing Me Together tells the story of Jade, a Portland, Ore., high school student with "coal skin and hula-hoop hips." Jade has won a scholarship to St. Francis, a private school that's mostly white. She makes friends and does well, but she also feels the school sees her as some kind of project — and she doesn't like it.

A mentor named Maxine comes into her life with a program called Woman to Woman. Maxine is black too, and once lived in her neighborhood, but Jade wonders if Maxine just sees her as someone who needs to be saved.

Here's a serious pop culture conundrum. Why are we still so obsessed with zombies?

Maybe you've seen the movies World War Z and 28 Days Later and the TV series iZombie and Santa Clarita Diet. Or maybe you've read Zone One by Pulitzer-winning author Colson Whitehead or Pride And Prejudice And Zombies by Seth Grahame-Smith. Haven't you had enough of zombies over the last decade?

Akwaeke Emezi's debut novel, Freshwater, is the lyrical, nonlinear story of a woman named Ada, born in Nigeria with, as she puts it, "one foot on the other side." Several "selves" exist inside of Ada, and they identify themselves as "we." When Ada comes to America for college, a traumatic event causes the "we" to take over, and Ada struggles to control her own body.

The author, who won the 2017 Commonwealth Short Story Prize for Africa, says she pulled from her own experiences.

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Remember how happy you were as a kid to hear the distant music of the ice cream truck get louder as it drove closer to your block?

Residents of New Orleans would get that feeling when they heard the song of local produce vendor Mr. Okra, who drove up and down the streets of the city, hawking his wares.

"I have the mango, I have spinach, I have yellow squash, corn on the cob," he'd chant in rhythm from a PA system attached to the roof of his bright red pick-up truck. "I have eggplant, I have onion, I have garlic."

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