Music

Headliners at the Essence Festival, which marked its 22nd Fourth of July weekend in New Orleans earlier this month, play in the middle of the Superdome, a cavernous arena that, as configured for the fest, seats about 50,000. Up on the stadium's plaza level, a cozier, less formal kind of show takes place. Four multipurpose party rooms deemed Superlounges, which each fit about 1,200 fans, serve as secondary stages.

When musicians Nick Walusko and Darian Sahanaja first met in Los Angeles back in 1983, they immediately bonded over their shared passions: movies, sci-fi and the mysteries of 1960s pop. The two spent countless hours poring over records by bands like Buffalo Springfield, The Mamas & the Papas and The Beach Boys, "just taking apart music and figuring out how all the parts work together," Walusko recalls.

In Colombia, Preserving Songs That Tell Stories

Jul 7, 2016

Colombian writer Gabriel García Márquez once said that One Hundred Years of Solitude was a 400-page Vallenato: a traditional music of Colombia's Caribbean coast. The songs are mini-epics, filled with local characters and poetry. It's a style that stretches back 200 years and is still thriving today.

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